Thursday, January 19, 2012

july in the year of the me(n)tal rabbit

Recipe for Irish Cream
i bottle of cheapest scotch
1 x 600 thickened cream
2 x 400g condensed mulk
i tablespoon of chocolate topping
i teaspoon of vanilla
4 eggs room temp
Whip eggs & vanilla, add cream & choc, cond. milk and scotch slowly =
2 litres
Glass bottles

23/7/11
I want to go where my heart is warm
but neither spaceship nor feet can take me,
not a fleet of sailing ships,
yet a glimpse of such might be enough
like picture of Keats;
for no apparent reason
it rises on a breeze
where no wind can blow
but tides of blood ebb and flow
beat a shore with waves of passion
on its circular passage in and out of the heart
within the climate within the veins and arteries
of living and giving it
a moment of attention.
How can I embark on this journey?

28/7/11
In this rocky desert I am surrounded by bums,
heads buried up to the shoulders in the sands of detail,
the shifting sands of daily life,
each grain examined for evidence of strife --
sometimes I stroll among them &
wonder if these boulders are human beings
or rocks in socks (frocks, jocks ...)
Myself I sit in a mess of things around me spreading a chaos of thinking outwards towards the lizards' nests and let the natural burroowers make holes in the ground and watch the Foxy bolt the foxes from their wicked privacy and perhaps chance a glance of pure passion in the pearl of a vixen's eye as she protects her pups from the predators in their hides
I dunno. I dinnae ken...

Tuesday, January 17, 2012

on the way somewhere, Oxley Highway

You must be, I will say to Sarah, or Carmel, or Sally, without ambition,
yet somehow completely sure of yourself, if you want happiness over success,
for the latter is never ever itself: it is in the eye of the beholder,
totally...
as if you were a dancer without the practice mirrors,
without the lovely barrs
of doubt & hunger, holding your spine straight
and your entire weight on one toe.
You give your guts but you cannot be certain
there will be claps, curtain calls or rousing applause,
success!
Make your cause a happiness you can give away
as you keep it like the fabled cake,
or magic pudding.

The trouble with "know-alls", I will say to Bec, Brooke or Billy,
[know-it-alls for my US readers]
is it is impossible,
unconscionable.
Best work out what you don't know
and keep doing that for the rest of your life,
Then choose either to inform yourself or not.

Some knowledge is opinion
some knowledge is faith
some knowledge is subjective
Thus you can choose to express it out loud or not.

Out there, somewhere, is the scientific method of reaching unassailable conclusions,
facts,
then they argue about them. Go figure.
Now tell me the difference between the god particle and god
for most people.

Monday, January 16, 2012

screens

I lived in the time of cinema, I will say.
Wordsworth didn't.
It changed our eyes:
how could i imagine the dawn view from Westminster Bridge
without having seen in a fair few movies
tall ships crowding the Thames, the atmospherics
of sails and slaves, trading beneath the mean light
of whale oil lanterns, pre-Pasteur dirt et cetera,
characters presented in large for us to care about,
actors reacting to the wrenching rigging?
How?
Consider the size of screens.

A little history knowledge has informed my view of movies:
St Paul's a mere hundred years old glistening
in young Wordsworth's dawn along with the other architecture 
of the reconstructed city following
The Great Fire of London.
A little history
has sharpened my critical enjoyment of film,
but what i'm trying to get at is
i really cannot see the non-present world without a 35mm camera frame.

The accident of birth in a certain age.

Gen X with the television eyes,
gen Y with their little screens
and buttons and interactive graphics:
what do I know about how they will see the world
in their imaginations.

Since we have had magic windows looking out on definite unreality,
how do we see looking in? How do you, my little Joey boy,
understand my childhood of the Saturday matinee,
the joy of Jaffas bouncing down the thin-rugged wooden stairs in the dark
of the old Matthew Flinders theatre in their clinking orange glory, the thrill of interval
coming between the cliff-hanging serial and the one movie of the week?
It is part of the DNA of my adulthood, the cinematic stories priming us for the brilliant burst of Moral, Philosophical dilemmas, amazing European, post-Nazi war and American guilt over its Vietnam engagement , which we, Generation Open Mouth, drew in like breaths of fine fresh air, the politics of discussion, fed by the visual appreciation of the world around us,
 which my mother didn't have as she roamed the hills reading the Romantic poets.
How do you see
the wind-dance of leaves in the breeze?

casual thoughts

now is the end of civilisation
or is it the end of its enemy, the earth/ or
have folks always though this way?
somehow it feels as if it's all falling apart
as if dread has entered like cracks in the glaciers
through cracks in complacency

shifting sands are revealing heads murky with the dirt of faiths,
ugly and angry with conservatism as against conservation;
faces askew with ignorance and defiance as the seas rise
and the dunes expand exposing rocks of dry ground
multiplying like skulls in the killing fields

please let me be beautiful,
they cry, as they buy and buy
and the rubbish of their purchasing creeps closer and closer &
floats on wider and wider portions of ocean
swamping their mean needs with the putrid reality of excrement

eat more, eat less:
only the rich can afford to eat less and burn off excess
on shiny machines with magnificent self-obsession

heads in the sand, you could say